Month: April 2019

Looking Back at the Year in “Our Community” at the University Writing Center

Bronwyn T. Williams, Director

Earlier this year, Edward English, one of the assistant directors in the University Writing Center, suggested that we create a new promotional video drawing on the perspectives of our writing consultants about what they find meaningful in their work teaching writing. I agreed that it was a great idea and, this spring, Edward and consultants Michelle Pena and Jacob DeBrock, created the video you see here, titled, “Our Community”.

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University Writing Center: Our Community

What I appreciate, and thoroughly enjoy, about this video is what they captured about the intangible, but essential, role that caring and community play in the work we do at the University Writing Center. On our website and in our presentations we always foreground, and rightly so, the expertise we have in teaching writing that can help students, staff, and faculty become stronger writers. Yet, just as crucial to our approaches to writing pedagogy is the work we do to create a culture of caring and empathy. We do this through a focus on listening, starting where the writer is, and, most of all, always remembering that we are responding to a person, not just a set of pages. You can see this commitment, and the pleasure it brings, in the words of the consultants in this video.

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The University Writing Center Staff for 2018-19

Empathy, listening, and caring, are not qualities that will show up in any official end-of-year reports. Emotions and ethics are typically not assessed by university administrators or accrediting agencies, or always considered appropriate ideas for discussion on a university campus. Still, these are the ineffable qualities that make our University Writing Center a distinctive and successful place for learning on campus. Because we focus on working with writers, not just on drafts, we know that we help writers develop a stronger sense of agency and confidence about their work. Because we listen first,  and then respond, we also engage in conversations about how writers are shaping their identities, and how those are negotiated in the systems of power in the University and culture.

We did, in fact, work with an impressive number of writers this year – more than 5,000. Out of those visits came stronger drafts and more confident writers. We are grateful for the trust that writers from across the UofL community show in bringing their writing here and letting us work with them to make it stronger. What the numbers can’t show that the video gives a glimpse of is the care, compassion, and that vital sense of community that the consultants build every day with each other and all the writers who walk through our door.

We will be open during the summer, starting May 6, from 9-4 every weekday. You can find out more on our our website. You can also follow us on our blog and on on Twitter, Facebook, and Instagram.

Beyond Tutoring – Workshops, Events, and Community Writing

Our commitment to working with writers and supporting a culture of writing extend beyond our daily consultations. Here is a just a glimpse of what we have been working on this year.

Workshops, Writing Groups, and Dissertation Writing Retreats: Our staff did more than 220 presentations about our University Writing Center services and more than 40 workshops about writing that took place both in and out of classroom settings. Our popular Creative Writing, LGBTQ+ and Faculty and Graduate Student Writing Groups continued to give UofL writers supportive communities through which they could create and talk about writing. We again held a our annual spring Dissertation Writing Retreat in May. We will be continuing all of these groups and workshops, so be sure to check our our website for information and dates.

Writing Events: Once again we hosted or took part in a range of writing-related events,

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Kick Back in the Stacks, August 2018

including our Halloween Scary Stories Open Mic Night, the Celebration of Student Writing, Kick Back in the Stacks, and International Mother Language Day. Thanks to our ongoing partnership with the UofL Creative Writing Program, we again hosted a reading in the Axton Creative Writing Reading Series as well as two open-mic nights and one workshop in collaboration with the Miracle Monocle Literary Magazine.

Community Writing: We also continued our work with our community partners, the Western Branch of the Louisville Free Public Library and Family Scholar House. Once again we are grateful for the participatory and collaborative partnerships with these organizations . You can find out more about these community writing projects, including how to get involved with them, on our website.

The Best Writing Center Staff in the Business

Amber YocumThe most important staff news of 2019 was the addition to the University Writing Center staff of Amber Yocum, as our Administrative Associate. Amber is in charge of our front desk, our scheduling system, office management, and supervising our student workers. She is brilliant and innovative and we’re lucky to have her as part of our community.

The new “Our Community” video also shows the community that our staff create among themselves. They do exceptional work as consultants and as full-time graduate students, but they also find time to take care of each other, and to laugh. I’m proud of them for that and think the university and the world can use more of it. It is the inspired and tireless work of all of our staff that, day after day, allows us to support UofL writers and create a culture of writing on campus and off. They also make this a fun place to work. Thanks go to Associate Director Cassandra Book and Assistant Directors, Aubrie Cox, Edward English, Rachel Rodriguez, and Christopher Stuck. Our consultants this year have been Quaid Adams, Brooke Boling, Josh Christian, Jacob DeBrock, Nicole Dugan, Katie Frankel, Anna-Stacia Haley, Rachel Knowles, Catherine Lange, Michelle Pena, Liz Soule, Jon Udelson, Abby Wills, and Adam Yeich. Our student workers were Taylor Cardwell, Wyatt Mills, and Jency Trejo.


Writing Center Staff Achievements

The University Writing Center is also an active site of scholarship about the teaching of writing. Staff from the Writing Center were engaged in a number of scholarly projects during the past year in rhetoric and composition, literature, and creative writing.

Bronwyn Williams, Director I had two Writing Center-related publications this year, co-authored with former University Writing Center associate and assistant directors. One was “Find Something You Can Believe In”: The Effect of Dissertation Writing Retreats on Graduate Students’ Identities as Writers.” with Ashly Bender Smith, Tika Lamsal, and Adam Robinson in Re/Writing the Center: Approaches to Supporting Graduate Students in the Writing Center. (Utah State University Press. 2019). The other publication was “Centering Partnerships: A Case for Writing Centers as Sites of Community Engagement,” with Amy McCleese Nichols, in Community Literacy. 2019. I also presented at the International Writing Centers Association Conference in with Cassie Book, Layne Gordon, and Jessie Newman, from UofL.

Cassandra Book, Associate Director published “Digital Curation as Collaborative Archival Method in Feminist Rhetorics.” with Pamela VanHaitsma. in the journal Peitho,  spring 2019. She also gave the keynote address at the Southeastern Writing Center Association Kentucky Statewide Tutor Conference, with Josh Christian and Liz Soule at Asbury University in April 2019. In addition, she presented at the Conference on College Composition and Communication, the Thomas R. Watson Conference on Rhetoric and Composition, and the International Writing Centers Association Conference.

Aubrie Cox, Assistant Director for the Virtual Writing Center published “Final Transmission.” in Little Fiction. 2018 Flash Issue. She gave a reading at “Live at Surface Noise,” in December 2018. She was also awarded the UofL Creative Writing Graduate Student Award for Poetry, 2019

Edward English, Assistant Director of the University Writing Center presented at the Rhetoric & Religion in the Twenty-First Century Conference and Thomas R. Watson Conference on Rhetoric and Composition.

Rachel Rodriguez, Assistant Director of the University Writing Center presented at the Conference on College Composition and Communication.

Christopher Stuck, Assistant Director For Graduate Student Writing presented at the Rhetoric Society of America Conference and served as Graduate Student Coordinator for the Discourse and Semiotics Workshop Series.

Consultants

Quaid Adams presented at the International Society of Contemporary Legend Research Conference, the UofL Graduate Student Regional Research Conference, and served as a Graduate Editor for Issue 12 of Miracle Monocle as well as the forthcoming anthology of Queer and Rural Southern Writers.

Brooke Boling served as a Graduate Editor for Issue 12 of Miracle Monocle as well as the forthcoming anthology of Queer and Rural Southern Writers.

Josh Christian presented the keynote address at the Southeastern Writing Center Association Kentucky Statewide Tutor Conference, with Cassie Book and Liz Soule at Asbury University in April 2019. He also gave a workshop at the same conference, also with Liz Soule. He was awarded a UofL Creative Writing Scholarship and will be a Graduate Program Peer Mentor Coordinator next Year.

Jacob DeBrock presented at the Louisville Conference on Literature and Culture since 1900.

Nicole Dugan completed her M.A. Culminating Project, titled, “Writing the Self: First-Generation Students, Personal Statements and Textual Authority.”

Katie Frankel presented at the Indiana University Interdisciplinary Graduate Conference and had a book review of Sons of Blackbird Mountain published in Interstice. She also received a UofL Creative Writing Scholarship.

Anna-Stacia Haley received a UofL Creative Writing Scholarship.

Rachel Knowles completed her M.A. Culminating Project, titled, “Talking It Out: Towards Interdisciplinarity in Online Organizational Crisis Response”

Catherine Lange presented at the UofL Graduate Student Regional Research Conference.

Michelle Pena presented at the UofL Graduate Student Regional Research Conference

Liz Soule presented the keynote address at the Southeastern Writing Center Association Kentucky Statewide Tutor Conference, with Cassie Book and Josh Christian at Asbury University in April 2019. She also gave a workshop at the same conference, also with Josh Christian.

Jon Udelson published a short story in Juked titled “Out & Elsewhere” and had a A book chapter accepted into the edited collection Style and the Future of Composition Studies. He presented at the Conference on College Composition and Communication, the Thomas R. Watson Conference on Rhetoric and Composition. He was named a board member of the Creative Writing Studies Organization. In the fall he will start a job as an Assistant Professor of English at Shenandoah University.

Abby Wills presented at the Uofl Graduate Student Regional Research Conference and the University of Cincinnati English Department Interdisciplinary Conference.

Adam Yeich was named the Assistant Director of Creative Writing for 2019-20. He presented at the UofL Graduate Student Regional Research Conference and the Louisville Conference on Literature and Culture since 1900. He served as a Graduate Editor for Issue 12 of Miracle Monocle , where he had a book review published, as well as the forthcoming anthology of Queer and Rural Southern Writers.

 

 

 

(Literally) Meeting Writers where they are at Community Literacy Sites

Rachel Rodriguez,  Assistant Director of The Writing Center

My favorite tutoring session this year was a group session, where the two writers were working on drastically different projects.Rachel Rodriguez One writer was working on a paper in which she had to identify an area in her life where she possessed rare expertise, and our brainstorming led her to a past job as a phlebotomist and her unique knowledge on how to draw blood.

This brainstorming and outlining was often interrupted by the other writer, whose projects included buttoning, unbuttoning, buttoning, unbuttoning, and buttoning both her and my jackets, discussing why snowmen don’t need jackets and monkeys prefer bananas, and finding the perfect video on Youtube of children baking imaginary cakes. If you haven’t guessed yet, this “other” writer was about 3.

When you imagine a “typical” writing center session (does such a thing exist?) you probably envision a quiet setting in which two people are examining a draft, exchanging ideas, and conversing, with plenty of pauses to think, consider, and reflect. Sessions in community literacy sites tend to take on a slightly different hue. Community means many, ever-shifting, laughter.

At the Gladys and Lewis ‘Sonny’ Bass Louisville Scholar House Campus, writing sessions happen in an open space designed to look like a Starbucks, with computers and chic furniture. Large windows connect this room to a playplace so moms, many of whom live on-site, can keep an eye on their young ones. Every writer I have worked with at Family Scholar House is a mother, and every one is intensely and impressively dedicated to the pursuit of education.

At the Western Branch of the Louisville Free Public Library, tutors sit at a table at the center of the main floor – strategically within view of the entrance as well as the computer banks nearby. While cushioned by stacks of books, the sound of Fortnite is a constant buzz. Here, the typical writer may be a middle-schooler, hanging out with friends at the library after school but before heading home. Sometimes tutors cajole writers to take out their homework with the wave of a coveted piece of gum.

This is all to say that writing sessions at community literacy sites are all the things you might not expect: noisy, chaotic, dynamic. And this is precisely what makes tutoring there so fun!

A key skill in writing tutoring is flexibility, going with the flow, recognizing when a strategy isn’t working and changing it up, moving from poetry analysis to a biology lab report to an engineering dissertation in the span of a few hours. Community literacy stretches this skill to the max, expanding what we think of as a “session,” “writer,” and even “writing.”

This expansion is good for tutors’ brains: we return to the UWC with a bigger sense of what is possible. After all, the University of Louisville doesn’t exist in a vacuum. It is part of a vibrant, complex community of individuals, families, and groups who in turn pursue a myriad of writing and reading endeavors. This may take the form of a comic book, rap lyrics, fan fiction, or a personal memoir. The University Writing Center is one of many writing centers that takes as a central tenet the idea of meeting writers where they are, and community literacy projects take this to a new level, literally seeking out writers where they live and play and gather, to listen to their needs and offer up our knowledge of audience, genre, and style. This literacy matters to the UWC, and this academic year, our volunteer tutors have contributed 477 hours towards these sites, with a few weeks to go.
Two former Assistant Directors of the University Writing Center, Dr. Layne Porta Gordon and Dr. Amy Nichols, have both stressed the importance of continuing to “show up” for our community (check our Layne’s post here, and Amy’s here), and I’m proud to continue to move our initiatives forward. Personally, I’m looking forward to a summer of tutoring at Western Branch, where I hope to encounter many writers like my friend so deft at buttoning.


I think it’s fair to say that the denouement of most writing tutoring sessions isn’t having a 3-year-old fall slowly into a heavy sleep on your lap, while talk with your writer of ethos and evidence-based claims is punctuated by the chatter of a tour group of local business people. But that’s precisely what made this my favorite session of the year, and I can’t wait to see what next year has to offer!

Putting the Puzzle Pieces Together: Finding a Starting Point to Write

Jacob DeBrock, Writing Consultant

You’ve been staring at a blank page and a blinking line for the past hour. Jacob DeBrock know what you want to write about, you’ve done your research, and you’re in the perfect environment to let your thoughts turn into words. The problem is you don’t know how to start or where to go after that.

At times like this, you might be wishing “Why didn’t I write an outline ahead of time?” Fortunately, I’m here to show you how to make the outline that will make your paper a breeze to write.

1: Think of it like a puzzle

First, you’ll need to figure out what you want in your essay. To go along with my metaphor, these are the pieces of your puzzle, typically dumped out in a random fashion. You’re not sure how they fit, but you know they’re each important.

At first, your outline will look rough and disjointed, like trying to put together pieces without a greater sense of the picture. It’ll take some time, but eventually some aspects will start to come together. An order forms. You might have an edge or a corner of the puzzle done before you begin to feel confident.

As you get more of your paper outlined, the puzzle will start to look like an actual image; you’ll understand how everything connects. By the end of it, you’ll have hopefully come to an understanding of what you want your paper to be and how you want it to flow. All the pieces matter.

2: Be detailed, but not too detailed

Writing an outline isn’t as simple as having a few ideas and putting them in some order. You’ll want to make sure that you know what you want to talk about in each section of your paper to make it as fleshed out and coherent as possible. Each section of your outline should have several points underneath it that structure the section and elaborate what you are going to do with it.

However, this isn’t saying you should have every little detail in it; this is still an outline right now. Instead, pick the most important items you will need to discuss and then build the section around it. Having a good number of first-level details will provide the skeleton for your outline that your paper will be built around.

3: Give it room to breathe

Just because you have your outline set up doesn’t mean it’s going to go the way you expected. You may start writing your paper only to realize that your pieces have been sown together with cheap thread, leaving them barely hanging together in a disjointed body. One should always expect that some part of the outline will not go the way they expected once they start writing. Your outline should have enough space that your paper doesn’t fall apart if a part needs to be altered, shifted, or removed entirely.

Writing a paper is always difficult, especially when it’s a subject that is not a forte. Creating an outline beforehand, however, can take some of the stress of your back. It’s like drawing a map; it takes a while to figure out the basic outline of the terrain, but once you get squared away, the little details just pop right out.

Throw Me a Lifeline: How Outlining Can Save Your Paper and Ultimately Your College Career

Anna-Stacia Haley, Writing Consultant

One of the hardest things to do when writing a paper for a class is actually writing the paper. Anna-Stacia HaleySometimes this difficulty stems from the fact that you may not have read the necessary book or article, but most of the time it stems from the widely known struggle of trying to organize your thoughts. What if I told you that there was a way to help you get off of the struggle bus?

There is: Outlining–you’re welcome.

But outlining is, outlining. How does that save your life? Well, it doesn’t really per se. But it can save your paper and a lot of time.

Outlining is extremely underrated, as many people automatically think of spider-maps, mind-maps and other oddly shaped or insect friendly methodologies. But au contraire mon frère, outlining is what you make it!  It can be as long or as short as you’d like. I have a great friend who’s version of outlining varies drastically from my own.

Her outline could be classified as an entire paper with pretty headings. My outlines start off with headings, then go into subheadings, and then I write a bunch of random stuff about the topic of those headings. It looks something like:

Big heading

  • Smaller heading
    • Blah
    • Blah
    • Blah

Looks easy enough right?

Throughout my educational career I’ve had to craft a plethora of different papers, ranging from a page to twenty plus pages. I found that the higher I went in page length, the more I needed an outline to stay organized. If I didn’t use the outline I’d jumble up my topics and the paper would become difficult to follow.

I also found that, when using an outline, when I ran out of words, I was able to go back and find areas that I could expand upon or that I missed during the rapid fire production of my rough draft. Now, as a graduate student, I dare not consider writing a seminar paper or any other paper for that matter, without at least some kind of draft.

Often times when our thoughts are jumbled the easiest way to make sense of them is by writing them out and taking the time to draw the connections between them–que flowchart. Outlining organizes your thoughts by giving you a map to follow. This map is essentially based off of your thesis statement. Which by the way, if you’re unsure of how to write that, the University Writing Center has a few great resources on our page!

Outlines are great for making sure that your major points stay in line with your thesis and can help highlight areas that needed to be expanded, especially when it comes to your thesis statement.

Outlining may seem like an extra step, extra work and not worth the extra time spent. However, I’d rather spend thirty minutes writing out a outline than waste three hours staring at my computer screen because I’m not sure where to go from there. Wouldn’t you?  Because let’s be realistic, the longer you stay up working on these papers, the more money you’ll be forced to spend on Starbucks. While the CEO of Starbucks might enjoy this, the average college student’s wallet does not.

Link to the thesis handout:

https://louisville.edu/writingcenter/for-students-1/handouts-and-resources/handouts-1/thesis-statements

Need more ideas about outlines? Here’s a Youtube video: https://www.youtube.com/watch?v=MEQlqWAPD9A